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Nyland Blake – Reel Around


“Reel Around marks the New York debut of the video installation Coat, exhibited first in 2002 at the List Visual Arts Center at MIT and more recently at the Nayland Blake retrospective exhibition at the Tang Museum at Skidmore College. In this work, Blake and the artist A.A. Bronson cover each other’s faces in first white and then black frosting, screened simultaneously on side-by-side television monitors. In a wall projection in a separate room, the two men are shown kissing, faces fully frosted.
The new video installation, Correction, will also be included in the exhibition. Correction consists of a row of screens, each displaying the artist, seated, for several minutes. Blake is then slapped across the face in each by a different figure, people with whom the artist has had a meaningful relationship, including teachers, students, and family members.
The sculptures in the exhibition will include two new works in the artist’s signature series of bunny suits. One is sized for a toddler and sewn from pieces of vintage rock’n’roll t-shirts culled from second-hand clothing stores. The other is Blake’s largest bunny figure ever, nearly sixteen feet square and made of quilted white nylon.
Another sculpture, Confederate Flag (white on white), is made from three all-white confederate flags, in different sizes, sewn together and hung on the wall. They introduce a rereading of Jasper Johns’s flag paintings, investigating issues of race and surrender.
The fourth sculpture, Root, is a wooden pipe with a single bowl and two stems, allowing two people to smoke the pipe at the same time. The sculpture is accompanied by an embossed lithograph, a white-on-white image of the pipe being smoked by two identical silhouette’s of the artist’s head. Together, the sculpture and the print explore questions of solidarity, otherness, and identity politics.” Source and images here
New Jerseyy goes Dark Fair

Anonymder User Beitrag: “Schwarz auf schwarz, wie schön! Dunkel und unleserlich, aber trotzdem springt es sofort isn Auge. Während den drei Tagen, an dem die Ausstellung war, war ich leider nicht in Basel. Wenn sie so schön wie das Plakat war, dann hab ich definitiv was verpasst. Ab sofort drucke ich nur noch schwarz auf schwarz.”
See the exhibition here!
“Erstmals im Kölnischen Kunstverein wird im diesem Jahr begleitend zur ART Cologne die “Dark Fair” ausgerichtet. Als subversive und experimentelle Miniaturkunstmesse wird bei der “Dark Fair” auf den Gebrauch von natürlichen oder elektrischen Licht verzichtet. Ausgewählte internationale Galerien und Künstler präsentieren ihre Lichtskulpturen, Videos und Performances nur unter Verwendung von Kerzenlicht, Blitzlicht und Öllampen.
Der erste “Dark Fair 2008” am Swiss Institut in New York war ein voller Erfolg. In der Tradition alternativer Kunstmessen, wie der “Unfair”, die 1992 und 1993 in Köln stattgefunden hat, haben die Organisatoren die zweite Ausgabe “Dark Fair 2009″ nach Köln eingeladen.” Quelle
Maria Eichhorn – Galerie Barbara Weiss





http://www.frieze.com/issue/review/maria_eichhorn/
Wade Guyton Posters



















Vintage Dan Graham: Project for Publication 1966 – 2009


I like D. G.’s Humor at the design
Rosemarie Trockel – Keramiken und Collagen


User Beitrag: “Perfekte Materialkombination – Sakko gedruckt auf dicken, harten Karton.” Martin Jaeggi
Galleria Lorcan O’Neill, Rome. Part 2























More invitations by Galleria Lorcan O’Neill in Rome. All handwritten by the artists themselves. Some with very regular writing (Richard Long), others less regular (Gary Hume). None were sent from Rome, but from the Vatican. Probably less in support of the pope (although who knows?), but for the Vatican’s cheaper rates. Let me investigate this matter.
Galleria Lorcan O’Neill, Rome






















Galleria Lorcan O’Neill asks each artist to handwrite their own invitation card. A field of study for anybody interested into graphology and art. So what happened to Martin Creed and his two different handwritings? Does he try to trick the graphologist? Or did he simply ask his assistant to imitate his handwriting? Will we ever know?
‘Ihr Kippy Kippenberger’


I liked how the silver
kept me occupied
technique and
the esthetic
of beauty
Johnny CHrome Silver